David Niven

Many people around the world strongly believe that David is one of the best, charismatic, and charming actors ever seen on screen. David Niven was an English actor who won the Academy Award for Best Actor for his performance in ‘Separate Tables.’ Popular in both Europe and the United States, he was an accomplished actor in stage and motion pictures. Born in London, he was sent to the prestigious Heatherdown Preparatory School from where he was expelled due to his mischievous nature. He proceeded to attend the Royal Military College, Sandhurst and embarked on a military career as a second lieutenant in the British Army. He did not like the army life and gained notoriety for his rebellious behavior which angered his seniors. Tired of the military, he quit his job and moved to the United States in search of a better future. Venturing into Hollywood in the mid-1930s, he soon established himself as a reliable supporting actor in films such as ‘The Charge of the Light Brigade’ and ‘The Prisoner of Zenda.’

A successful actor by the time World War II broke out, he chose to return home and rejoin the army. He resumed his acting career after the war and was even more successful than before. He was also the author of four books in addition to being an actor. David Niven won the Golden Globe Award for Best Actor in a Motion Picture – Musical or Comedy in 1953 for the film ‘The Moon Is Blue.’ In 1958, he won the Academy Award for Best Actor for his role as Major Pollock in ‘Separate Tables.’ The 1960s saw him acting in ‘The Guns of Navarone’ (1961), ‘The Pink Panther’ (1963), and ‘Where the Spies Are’ (1965). In 1967 he played the role of Sir James Bond 007, a legendary British spy, in ‘Casino Royale.’ A highly active individual, he continued acting well into the 1970s even though he was aging by now. Some of his later movies were ‘Murder by Death’ (1976), ‘Death on the Nile’ (1978) and ‘The Sea Wolves’ (1980).

Famous David Niven Quotes

Actors don’t retire. They just get offered fewer roles.

Many of our feelings of satisfaction or dissatisfaction have their roots in how we compare ourselves to others. When we compare ourselves to those who have more, we feel bad. When we compare ourselves to those who have less, we feel grateful. Even though the truth is we have exactly the same life either way, our feelings about our life can vary tremendously based on who we compare ourselves with. Compare yourself with those examples that are meaningful but that make you feel comfortable with who you are and what you have.

Personal Life

This blog would not be long enough to write about Niven's life in detail. He met and married Primula "Primmie" Susan Rollo in 1940. The happily married couple was blessed with two sons in quick succession. Tragedy struck the family when Primmie died in a freak accident in 1946. A few years later he married Hjördis Paulina Tersmeden, a Swedish fashion model. The couple adopted two daughters, one of whom was rumored to be David’s secret love child with a teenage girl. David Niven began suffering from health problems during the early 1980s. In February 1983, using a false name to avoid publicity, Niven was hospitalized for 10 days, ostensibly for a digestive problem. Afterward, he returned to his chalet at Château-d'Oex. His condition continued to decline, but he refused to return to the hospital, and his family supported his decision. He died at his chalet from ALS on 29 July 1983 at age 73, the same day as his The Prisoner of Zenda and A Matter of Life and Death co-star Raymond Massey. He was survived by his four children and his second wife. Niven is buried in Château-d'Oex Cemetery in Château-d Oex, Switzerland.

David Niven chose Switzerland as his residence for several reasons. One primary factor was Switzerland's neutrality, offering a stable and peaceful environment, particularly during times of political unrest or conflict. Additionally, Switzerland's picturesque landscapes, serene surroundings, and high quality of life appealed to Niven's preferences for a quieter, more private lifestyle away from the bustling entertainment industry. The country's favorable tax policies for foreigners were also known to attract individuals seeking financial benefits. Overall, Switzerland offered Niven a tranquil and secure retreat, away from the spotlight of Hollywood, making it an ideal place for him to reside.

Sessue Hayakawa - The man who introduced Asia to Hollywood

Sessue Hayakawa is the first Asian american actor that started performing in Hollywood during the silent movie era. He was not only talented but also the highest paid actor during in the early 20's. Hayakawa was one of the biggest stars in Hollywood during the silent era of the 1910s and 1920s. He acted in movies till late 60's. Sessue Hayakawa was born in Chiba, Japan. His father was the provincial governor and his mother a member of an aristocratic family of the "samurai" class. The young Hayakawa wanted to follow in his father's footsteps and become a career officer in the Japanese navy, but he was turned down due to problems with his hearing.

Humble Beginnings

The disappointed Hayakawa decided to make his career on the stage. He joined a Japanese theatrical company that eventually toured the United States in 1913. Pioneering film producer Thomas H. Ince spotted him and offered him a movie contract. Roles in The Wrath of the Gods (1914) and The Typhoon (1914) turned Hayakawa into an overnight success. The first Asian-American star of the American screen was born. Hayakawa became a regular player at the Japanese Playhouse in Little Tokyo, where he was discovered by Hollywood film producer Thomas H. Ince. Against all odds, Ince agreed to pay him the extraordinary sum of $500 per week to star in the silent film adaption of a stage play called “The Typhoon” in 1914.

“The Typhoon” starred Hayakawa as a Japanese diplomat to France who, after having an affair with a chorus girl, strangles her to death in a fit of passion. Despite the negative stereotyping of his character, Hayakawa’s brooding good looks made him an undeniable sex symbol amongst white women across America.

He married actress Tsuru Aoki on May 1, 1914. The next year his appearance in Cecil B. DeMille's sexploitation picture The Cheat (1915) made Hayakawa a silent-screen superstar. He played an ivory merchant who has an affair with the Caucasian Fannie Ward, and audiences were "scandalized" when he branded her as a symbol of her submission to their passion. The movie was a blockbuster for Famous Players-Lasky (later Paramount), turning Hayakawa into a romantic idol for millions of American women, regardless of their race. However, there were objections and outrage from racists of all stripes, especially those who were opposed to miscegenation (sexual contact between those of different races). Also outraged was the Japanese-American community, which was dismayed by DeMille's unsympathetic portrayal of a member of their race. The Japanese-American community protested the film and attempted to have it banned when it was re-released in 1918.

The popularity of Hayakawa rivaled that of Caucasian male movie stars in the decade of the 1910s, and he became one of the highest-paid actors in Hollywood. He made his career in melodramas, playing romantic heroes and charismatic heavies. He co-starred with the biggest female stars in Hollywood, all of whom were, of course, Caucasian. His pictures often co-starred Jack Holt as his Caucasian rival for the love of the white heroine (Holt would later become a top action star in the 1920s),

Hayakawa left Famous Players-Lasky to go independent, setting up his own production company, Haworth Pictures Corp. Through the end of the decade Haworth produced Asian-themed films starring Hayakawa and wife Tsuru Aoki that proved very popular. These movies elucidated the immigrant's desire to "cross over" or assimilate into society at large and pursue the "American Dream" in a society free of racial intolerance. Sadly, most of these films are now lost.


With the dawn of a new decade came a rise in anti-Asian sentiment, particularly over the issue of immigration due to the post-World War I economic slump. Hayakawa's films began to perform poorly at the box office, bringing his first American movie career to an end in 1922. He moved to Japan but was unable to get a career going. Relocating to France, he starred in La bataille (1923), a popular melodrama spiced with martial arts. He made Sen Yan's Devotion (1924) and The Great Prince Shan (1924) in the UK.

In 1931 Hayakawa returned to Hollywood to make his talking-picture debut in support of Anna May Wong in Daughter of the Dragon (1931). Sound revealed that he had a heavy accent, and his acting got poor reviews. He returned to Japan before once again going to France, where he made the geisha melodrama Jošivara (1937) for director Max Ophüls. He also appeared in a remake of "The Cheat" called Forfaiture (1937), playing the same role that over 20 year earlier had made him one of the biggest stars in the world. Hayakawa’s return to Hollywood coincided with the rise of another Asian American star — Anna May Wong, who coincidentally had a starring role in Hayakawa’s 1931 sound debut “Daughter of the Dragon.”

After Second World War

After the Second World War he took a third stab at Hollywood. In 1949 he relaunched g himself as a character actor with Tokyo Joe (1949) in support of Humphrey Bogart, and Three Came Home (1950) with Claudette Colbert. Hayakawa reached the apex of this, his third career, with his role as the martinet POW camp commandant in The bridge on the river Kway (1957), which brought him an Academy Award nomination for Best Suporting Actor. His performance as Col. Saito was essential to the success of David Lean's film, built as it was around the battle of wills between Hayakawa's commandant and Alec Guinness' Col. Nicholson, head of the Allied POWs. The film won the Best Picture Academy Award, while Lean and Guiness also were rewarded with Oscars.

Hayakawa's Return to Japan

Hayakawa continued to act in movies regularly until his retirement in 1966. He returned to Japan, becoming a Zen Buddhist priest while remaining involved in his craft by giving private acting lessons. Before returning to Japan, Hayakawa wrote an interesting book called ''Zen showed me the way'' in the book Hayakawa explains motives and reveals an interesting glimpse of his life.

Daisuke Miyao wrote a recent book on Sessue Hayakawa in the silent era. Daisuke reconstructs the Japanese actor’s remarkable career, from the films that preceded his meteoric rise to fame as the star of Cecil B. DeMille’s The Cheat (1915) through his reign as a matinee idol and the subsequent decline and resurrection of his Hollywood fortunes.

Sessue Hayakawa with his wife

Hayakawa's Home in California

Sessue Hayakawa lived in Los Angeles till the mid 60's. This is probably the home were Sessue Hayakawa wrote his book ''Zen showed me the way''. After Tsuru Aoki, with whom he adopted three children, died in 1961, Hayakawa returned to Japan, wrote his autobiography as already mentioned before “Zen Showed Me the Way: To Peace, Happiness and Tranquility,” and became a Zen monk.

He died in Tokyo on Nov. 23, 1973, and his star is now set on Vine St. in the Hollywood Walk of Fame.

Though Sessue’s star does not shine all the way to his native country, it is worth recalling, on the anniversary of his birth, how very brightly it once shone elsewhere.

Paul Newman - The man who talked less but did more

Paul Newman had a really remarkable personality and extraordinary talent acting in movies and theaters. Long story short, Paul Newman did things throughout his career that I must salute. Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born in January 1925, in Cleveland. Newman was nominated for an Oscar 10 times, winning the best actor trophy in 1987 for The Colour Of Money. The actor with the piercing blue eyes is best known for his leading roles in The Hustler, Cool Hand Luke, and for playing opposite longtime friend Robert Redford in Butch Cassidy and the Sundance Kid. He appeared in about 60 films over a period of 50 years.

Career Breakthrough

Newman made his Broadway debut in William Inge’s Pulitzer Prize-winning comedy Picnic in 1953. During rehearsals, he met actress Joanne Woodward, who was serving as an understudy for the production. While they were reportedly attracted to each other, the happily-married Newman did not pursue a romantic relationship with the young actress.

Around this time, Newman and his wife welcomed their second child together, a daughter named Susan. Picnic ran for 14 months, helping Newman support his growing family. He also found work on the then-emerging medium of television.

In 1954, Paul Newman made his film debut in The Silver Chalice for which he received terrible reviews. He had better success on Broadway in the Tony Award-winning The Desperate Hours (1955), in which he played an escaped convict who terrorizes a suburban family. During the run of the hit play, he and his wife added a third child -- a daughter named Stephanie -- to their family.

A winning turn on television helped pave the way for Newman’s return to Hollywood. Working with director Arthur Penn, he appeared in an episode of Philco Playhouse, “The Death of Billy the Kid,” written by Gore Vidal. Newman teamed up with Penn again for an episode of Playwrights '56 for a story about a worn-down and battered boxer. Two projects became feature films: Somebody Up There Likes Me (1956) and The Left-Handed Gun (1958).

In Somebody Up There Likes Me (1956), Newman again played a boxer. This time he took on the role of real-life prizefighter Rocky Graziano -- and demonstrated his considered acting talents to movie-goers and critics alike. His reputation was further magnified with Penn’s The Left-Handed Gun, an adaptation of Gore Vidal’s earlier teleplay about Billy the Kid.

That same year, Paul Newman starred as Brick in the film version of Tennessee Williams' play, Cat on a Hot Tin Roof (1958), opposite Elizabeth Taylor. He gave another strong performance as a hard-drinking former athlete and a disinterested husband who struggles against different types of pressures exerted on him by his wife (Taylor) and his overpowering father (Burl Ives). Once dismissed as just another handsome face, Newman showed that he could handle the challenges of such a complex character. He was nominated for his first Academy Award for this role.

Later Acting Career

The Long Hot Summer (1958) marked the first big-screen pairing of Newman and Joanne Woodward. The two had already become a couple off-screen while he was still married to his first wife, and they wed in 1958 soon after his divorce was finalized. The next year, Newman returned to Broadway to star in the original production of Tennessee Williams’ Sweet Bird of Youth. The production saw Newman acting opposite the great Geraldine Page, and was directed by Elia Kazan.

Newman continued to thrive professionally. He starred in Otto Preminger’s Exodus (1960) about the founding of the state of Israel. The following year, he took on one of his most famous roles. In The Hustler (1961), Newman played Fast Eddie, a slick, small-time pool shark who takes on the legendary Minnesota Fats (Jackie Gleason). For his work on the film, Paul Newman received his second Academy Award nomination.

Taking on another remarkable part, Newman played the title character -- an arrogant, unprincipled cowboy -- in Hud (1963). The movie posters for the film described the character as “the man with the barbed wire soul,” and Newman earned critical acclaim and another Academy Award nomination for his work as yet another on-screen antihero.

In Cool Hand Luke (1967), Newman played a rebellious inmate at a southern prison. His convincing and charming portrayal led audiences to cheer on this convict in his battle against prison authorities. No matter how hard they leaned on Luke, he refused to bend to their will. This thoroughly enjoyable and realistic performance led to Paul Newman’s fourth Academy Award nomination.

The next year, Newman stepped behind the cameras to direct his wife in Rachel, Rachel (1968). Woodward starred as an older schoolteacher who dreams of love. A critical success, the film earned four Academy Award nominations, including one for Best Picture.

A lesser-known film from this time helped trigger a new passion for the actor. While working on the car racing film, Winning (1969), Newman went to a professional driving program as part of his preparation for the role. He discovered that he loved racing and started to devote some of his time to the sport.

That same year, Newman starred alongside Robert Redford in Butch Cassidy and the Sundance Kid (1969). He played Butch to Redford’s Sundance, and the pairing was a huge success with audiences, bringing in more than $46 million domestically. Recapturing their on-screen camaraderie, Newman and Redford played suave con men in The Sting (1973), another hit at the box office.

During the 1980s Newman continued to amass critical praise for his work. In Sydney Pollack’s Absence of Malice (1981), he played a man victimized by the media. The following year he starred as a down-and-out lawyer as The Verdict (1982). Both films earned Newman Academy Award nominations.

While he was widely considered one of the finest actors of his time, Paul Newman had never won an Academy Award. The Academy of Motion Picture Arts and Sciences decided to correct this error by giving Newman an honorary award for his contributions to film in 1985. With his trademark sense of humor, Newman said in his acceptance speech that “I am especially grateful that this did not come wrapped in a gift certificate to Forest Lawn [a famous cemetery].”

He returned to the character of Fast Eddie from The Hustler in 1986's The Color of Money. This time around, his character was no longer the up-and-coming hustler, but a worn-out liquor salesman. He is drawn back in the world of the pool by mentoring a young upstart (Tom Cruise). For his work on the film, Paul Newman finally won the Academy Award for Best Actor.

Approaching his seventies, Newman continued to delight audiences with more character-driven roles. He played an aging, but crafty rascal who struggles with renewing a relationship with his estranged son in Nobody's Fool (1994).

Newman played a crime boss in Road to Perdition (2002), which starred Tom Hanks as a hitman who must protect his son from Newman's character. This role brought him another Academy Award nomination -- this time for Best Supporting Actor.

In his later years, Paul Newman took fewer acting roles but was still able to deliver impressive performances. He earned an Emmy Award for his nuanced depiction of a lay-about father in the television miniseries Empire Falls (2005), which was adapted from the Pulitzer Prize-winning Richard Russo novel. The miniseries also provided him the opportunity to work with his wife, Joanne Woodward.

He started Newman's Own food company

Paul Newman came to be known as one of the finest actors of his time. He also started the Newman's Own food company, which donates all profits to charity.

Final Years

That same year, Newman announced that he was retiring from acting. "I'm not able to work anymore as an actor at the level I would want to," he said during an appearance on Good Morning America. "You start to lose your memory, your confidence, your invention. So that’s pretty much a closed book for me."

Newman, however, wasn't going to leave the business entirely. He was planning on directing Of Mice and Men at the Westport Country Playhouse the following year. But he ended up withdrawing from the production because of health problems, and rumors began to circulate that the great actor was seriously ill. Statements from the actor and his representatives simply said he was "doing nicely" and, reflective of Newman's sense of humor, being treated “for athlete's foot and hair loss."

A private man, Newman chose to keep the true nature of his illness to himself. He succumbed to cancer at his Westport, Connecticut home on September 26, 2008. This is where he and his wife had lived for numerous years to get away from the spotlight and where they chose to raise their three daughters, Nell, Melissa and Clea.

As the news of his death spread, praise and tributes began pouring in. "There is a point where feelings go beyond words. I have lost a real friend. My life -- and this country -- is better for his being in it," friend Robert Redford said after learning about Newman’s death.

Paul Newman will be long remembered for his great films, his vibrant lifestyle and his extensive charitable works, and his relationship with Joanne Woodward will always be regarded as one of the most successful and enduring love stories in Hollywood history.